Blog

  • Superstar Employee Entrance

    Previously.

    For those not in the know – Superstar is a company, I think they were purchased by TV Guide. In any case, they shared some office space at TV Guide headquarters in Tulsa, OK.

  • Rose of Jericho

    Once again I spent a good chunk of Saturday in the Brooklyn Botanic Garden with my wife and daughter. As usual, I left some money in the gift shop. That store often makes me regret buying an apartment and not a house. Instead of a microscopic Brooklyn backyard I only have a couple of not very sunny windowsills. Still, I can’t resist buying an plant or two. Some die quickly, some — after a long battle with unfavorable conditions, and some thrive despite all odds. The palm did not survive, for instance, but the pineapple sent up a second shoot and is feelin’ fine.

    This time though, I bough a plant that isn’t afraid of the browniest thumb in existence. For the princely sum of $2.95 I bought a baggie containing the Rose of Jericho of which I’ve heard so much ThinkGeek charges 7.99 for one.

    As advertised, the dried out plant unfurls and turns green in about 24 hours.

    Now, there’s a plant that is chock-full-o-symbolism. Religious, blog-related, etc.

    While it might be the perfect plant for a chronic cubicle dweller, it’s probably a good idea not to keep it in a bowl of water, as it might start growing smelly algae and other nasty stuff. I transplanted it into a pot of soil, and it looks like now I have a plant that is next to impossible to kill. The Superman of plants. Or something like that.

    To commemorate the occasion I made this blurry, yet somewhat interesting movie with my webcam. I always wanted to make one of these stop motion dealies and to check out google video interface. Here it is, in its full blur-o-vision glory.

  • Canon vs. Nikon

    I often get asked for advice on what digital camera to buy. I’d estimate that I was asked that at least a dozen times in the last couple of years. I’ve been asked by co-workers, friends, family.

    I usually explain things this way: there are two classes of cameras — SLR and what used to be called “rangefinder“. SLRs range from bulky and heavy to galaxy sized black hole; from very expensive to small-Manhattan-studio-apartment-down-payment expensive. Rangefinders range from 007-spy-camera-sized to brick-sized; from very cheap to pretty damn expensive. The image quality on both types ranges from crappy to very good.

    SLRs have one huge advantage: they look professional. And expensive. Two advantages. Well, actually while we are at it, there is a third advantage, and the only one that matters. Some SLRs come as a part of a camera system. A camera system is a collection of accessories that your camera can take. It includes lenses, flashes, extension rings, adapters, and other various obscure doodads like focusing screens and right angle viewfinders. Repeat with me – it’s not the camera body and the lens it comes with. It’s the System that matters.

    When you are buying a non-system camera, you have to make a one piece investment as you won’t be able to upgrade it later. With system SLRs, your investment in lenses, flashes and other accessories is separate and much longer lasting than investment in the body of the camera. More than that, you’ll have a choice of several camera bodies at different price points. But the main thing is, you can have a lens and accessory collection and it will stay with you for many years.

    In the olden days there were popular rangefinder systems and even TLR systems. Not anymore. But the main reason for rangefinder popularity still remains: they are smaller and easier to use than SLRs. A picture taken with a well-made rangefinder will be almost indistinguishable from that taken with a well-made SLR with a normal range lens (that is, not a macro or telephoto or something even more exotic). Rangefinders add something to photography that no SLR can add – spontaneity. To be able to whip a camera out of your shirt pocket and take a picture is priceless. 70% of photographic opportunities disappear in the time that it takes to take an SLR out of the bag.

    I often try to steer people into buying a nice rangefinder because I know that they’ll take it with them more, take more pictures and enjoy it more. A camera that wants to stay at home is not of much use, unless, of course, like me, you are Ok with dragging a heavy bag with you everywhere.

    If it’s the SLR that they want, I explain the choice even simpler. You have to buy into a major camera system, which these days means Canon or Nikon. Once you buy your camera and lenses, you are pretty much stuck with the system, unless you never buy any expensive lenses.

    Canon and Nikon systems are pretty equivalent in quality and variety. They are both awesome. Generally Nikon stuff is heavier and sturdier, and also more expensive. Just about anybody finds that appealing. I find the relative heaviness a huge drawback. Picture quality at slow shutter speed is mainly limited by three factors: sensor quality, lens quality and camera shake. So, if you are not using a tripod for every shot, a heavy, although sturdy camera is a huge drawback – it will make your hands shake a lot more than a lighter one. For these two reasons I am, and always was a fan of Canon.

    Most of the people I ever advised on purchasing a camera bought Nikons though. More than that, most of my friends and co-workers are Nikon owners already. As a rule of thumb, prosumers that I know like Nikons. In general, among professionals and amateurs, Canon and Nikon are represented equally, as far as I can tell.

    I do have one observation that might raise a lot of controversy. I find, in my empirical observations, that Canon owners take and share way more pictures than Nikon owners. Nikons are usually found stashed away at home, while Canons are out there in the world, taking pictures. Since 2000, I took about 25K photos, and a I guess I am a typical Canon user. So is Travis Ruse, one of my favorite photobloggers. So is Tema Lebedev, my favorite travel blogger. What about you, Nikonophiles? Where are your pictures?

    Philip Greenspun has a nice technical Canon vs Nikon comparison, as well as a good description of the Canon system, and one of Nikon.

    I’ve added a camera-related poll.

  • Sutyagin’s Moving Castle or Ruskyscraper

    Slowly but steadily making my way through all of the Studio Ghibli films, I recently watched Howl’s Moving Castle. It made me remember the wooden skyscraper in Archangelsk I wrote about before.

    Apparently the skyscraper is still standing, although it looks like it has deteriorated significantly. I cleaned removed the old broken links from my old article about it and got permission from Nikolai Gernet aka nixette to use one of his photos. Archangelsk has a rich history of wooden architecture and nixette has more photos here and here as well as many other interesting pictures from Archangelsk and of Sutiagin’s wooden skyscraper in particular.

    It’s interesting to note that both Russia and Japan have a rich tradition of wooden architecture.

    Sutiagin's Wooden SkyscraperHowl's Moving Castle

    While looking for info about this, I found another gem: the conceptual design called Ruskyscraper by Eugene Staune who works for Arhitekturium architectural firm. It’s supposed to have 25 stories of 10.8ft each made primarily out of wood and glass. The articles describe it as economical, but I really doubt that– if there’s anything that I’ve learned from watching The New Yankee Workshop, wood can be very expensive. This project would probably use laminated engineered lumber, so I guess it could be doable.

    The floor plan seems to be rather wasteful, but hey, this is a concept design, not something that is probably going to be built.

  • Four Generations

    Digging in old photos I found three pictures of my father, grandfather and great-grandfather, all wearing military or military-style clothing. I took a picture of myself in my favorite NYPD-style jacket and created this list of four generations of my family. Notice the three repeating familiy names (reflected in first names and patronymics)– Mihail/Michael, Yakov/Jack, and Zinoviy/Zalman.

    Lost Generation:
    Zalman Mihailovich Krakovskiy, my great-grandfather, civilian, in his late forties.

    Greatest Generation:
    Yakov Zalmanovich Krakovskiy, my grandfather, Senior Sergeant, Red Army, in his thirties. The picture seems to be taken in front of some crates of Lend-Lease equipment in 1943.

    Baby Boom Generation:
    Zinoviy Yakovlevich Krakovskiy, my father, Lieutenant, Soviet Army, in his late twenties.

    Generation X:
    Michael Zinovievich Krakovskiy, myself, civilian, almost 30.

  • Bear Waltz

    I never received any musical instruction. My mother always believed that I did not have any musical talents. In fact, she used a Russian saying “медведь на ухо наступил” (“a bear stepped on one’s ear”) to describe my musical aptitude. When I was little, I assumed the bear story to be literally true.

    When I became a little older, I realized how lucky I was–many of my friends had to spend many, many hours studying music, and every one of them hated it. Those who studied music further, hated their lessons even more. I had one friend, for instance who used solfeggio as a curse word.

    To this day I do not regret not getting a musical education: I feel that all that reading, fishing and playing that I’ve done instead of music lessons was a better use of my time. Besides, I think my mother wasn’t very much off in evaluation of my musical ability.

    Having married into a musical family (my mother-in-law is a piano teacher and father-in-law is a senior tuner at Steinway and Sons), I have more music thrust in my life than I ever thought possible. My wife, an amateur organist, took up almost half of the living room space with an organ and a harpsichord. The mother-in-law and her take turns in bringing my baby daughter, whose entire vocabulary is limited to “papa”, “mama”, “baba”, and “kaka”, to the harpsichord keyboard and letting her hit the keys. My father in law has absolute pitch, but at this point it’s unclear if little Natalie inherited it or my own “bear-stepped-on” ears.

    While a harpsichords and an organs are hardly common instruments, I bet every one of you has encountered a well-abused piano situated in a classroom. Invariably, some kid pulls up a chair and starts playing a simple melody. In the United States it’s usually a Chopsticks, in Russia–Dog’s Waltz.

    It turns out that Chopsticks is actually called The Celebrated Chop Waltz and it’s composer is known. Dog’s Waltz’s, composer, on the other hand is unknown, but the tune has a wider international influence (also, musically, it’s a more interesting piece than Chopsticks).

    Dog’s Waltz, as I learned from the Wikipedia article, is one of those things that has different names in different cultures. There are many examples of this: Russian roulette is known as American roulette in Russia, Mk 2 grenade is known as “pineapple grenade” in the US, but was called “lemon grenade” in Russian, cocks being called roosters in the US (for understandable reasons) and so forth.

    The cultures don’t agree in what the said roosters sound like, with versions ranging from “cock-a-doodle-doo” to “goh-geh-goh-goh” to “chic-chi-ri-chi” and so forth. Cat sounds vary from culture to culture as well, and so do dog sounds.

    In the similar manner, Dog’s Waltz has a multitude of names in different cultures, ranging from Cat March to Flea Waltz, Donkey March, Fools’ Polka, and The Little Monkeys. The Japanese, take the prize by calling it Neko Funjatta–I Stepped on the Cat. Interestingly enough, this tune is relatively unknown in the US.

  • Boooo, HBO. Yay, Netflix

    My TIVO has fallen on hard times. It seems that the network executives cancel shows faster than I find new ones to watch. The ones they don’t cancel, become bad. Let’s have a moment of silence for the dearly departed…

    Futurama, Firefly, The $treet, Invader Zim, Deadwood, Carnivale, The Restaurant, Six Feet Under, The Job, Insomniac With Dave Attell, Samurai Jack, Sex and the City, NYPD Blue, Friends, That ’70s Show

    SEO for CTOs and CEOs
    Note to those working hard on search engine optimization. How did IMDB get me to give them so many valuable links? Why does it have a pagerank of 9? Why didn’t I use some certain other TV and movie review site? Simple. IMDB does not change URLs every couple of years, the search is simple and fast.

    Well, in fact most of the shows that were on my old TIVO list. In particular, HBO has been especially keen on destroying my viewing list. Granted, some of the shows like NYPD Blue and Friends have lived longer than they should have, but on HBO Deadwood and Carnivale have been cut down in their prime, most annoyingly, not even ending cleanly.

    In light of this, and to protest the cancelling Deadwood and Carnivale, I cancelled my HBO subscription and got a Netflix subscription instead. I still like Rome and The Sopranos, but I can wait until they are out on dvd. So HBO, I have only one thing to say to you. Booooooooooooooooooooooo. Boo. Well, OK, that was two things.

    Compared to $12 a month for HBO, Netflix is a bargain at $9.99. The only problem is that I don’t like the DVD player’s interface – I have to wait for the menus to load, skip the previews. Fast forward and back is not as smooth as in TIVO and there’s no way to watch some other disk, and then come back to where I stopped watching another. I think I need something like Kaleidescape, except cheap and with storage for only a couple of DVDs at the time. Or maybe just a well-designed dvd player.

    Sadly, Netflix does not have a particularly impressive inventory. Peerflix has a much better one, and is also a good way for me to get rid of the dvds that I don’t need anymore and get some obscure stuff that I do need.

    All’s not too bad in TV Land overall though. I am frustrated with DirecTV TIVO not having networking and online scheduling and for that reason I am not upgrading to HD DirecTV TIVO. Tivo Series 3 does not work with DirecTV and is outrageously expensive. Well, at least there are some new shows that I like.

    At the top of the pile is How It’s Made. It’s a Canadian show that mostly takes you inside factories and shows you amazing manufacturing and automation techniques. There’s a number of similar shows around, but they are all suffering from the same problem: TV personalities. It’s annoying to see idiotically grinning morons making bad jokes and drawing attention to themselves rather than to what the show is about.

    For instance, Dirty Jobs is not really about messy, smelly, funny and horrible jobs. It’s about messy, smelly unfunny and horrible host, Mike Rowe. The last segment of Dave Attell of Insomniac with Dave Attell often had a segment similar to Dirty Jobs, but Attel, unlike Rowe is both charismatic and funny. Well, at least I think so.

    Overall I feel that in a show about working a host is not very important. Take This Old House, for instance. It’s really about Tommy, Norm, and the lesser subcontractors such as Richard and Roger. But you can take one host with another and then with another without the show suffering. I, for one, find the last host least annoying.

    Anyway, what’s different about How It’s Made is that it does not have a host, only an invisible narrator. The show walks you through various industrial manufacturing processes accompanied by the Wakka Chikka Wakka Chikka-like music and almost hypnotic narration. It’s pure engineering porn. It seems like youtube has pulled down most of How It’s Made clips, but there’s still one on google video.

    Now I can’t look at any mass-produced item without trying to picture the assembly line that created it. Some of the machines that I’ve seen are still haunting my mind–the ingenuity with which they are made are just amazing. I wish the show would interview the engineers who made the machines and spent more time on some of the more complicated ones.

  • Where’s My Flying Car Part I : KABOOM!

    “Celebrating Gertsen, we clearly see three generations,
    three classes acting in the Russian Revolution. First –
    noblemen and landowners, Decembrists and Herzen.
    Horribly distant from the people. But their work was not in wain.
    Decembrists woke Herzen. Herzen began revolutionary agitation.”
    V.I. Lenin

    Computers have existed like for 200,000 years in Internet time, yet the innovation in computer technology seems to be a little slow. Brick and mortar slow. Let me present to you an approximate timeline:

    In 1945 Dr. Vannevar Bush wrote an article As We May Think about a device called the Memex.

    In 1960 Theodor Holm Nelson, inspired by Bush, coined the term “hypertext” and started on Project Xanadu, a vaporware Superinternet.

    In 1968 Dr. Douglas Engelbart delivered the MOAD, demonstrating videoconferencing, email, hypertext, copy and paste, as well as some novel input devices including a mouse.

    Bush, Nelson and Engelbart show a progression from a dream into reality. Bush was a pure dreamer – he never intended to actually try and build the Memex. Nelson at least tried to build Xanadu, although he failed miserably. He could not even get to the demo stage. Engelbart actually built enough stuff to make very impressive demos, although never to build actual successful products except the mouse. These guys suffered from the RAND Corporation syndrome–the common joke went that RAND stood for Reasearch And No Development.

    The problem with these three was that they could not focus on individual problems. Luckily for us, next came Xerox PARC. Xerox corporation had money coming out of its wazoo, decided to invest in a world class R&D center. They used the same approach that Google is using today: spend the extra money on hiring the brightest technologists around and let them run free and wild.

    Bush, Nelson and Engelbart were a lot like a character named Manilov in Gogol’s Dead Souls. Manilov was an owner of a large rundown estate. He spent his days dreaming about improving it. Wouldn’t it be nice to build a bridge over the river and on it build little merchant booths so that the peasants could buy stuff there. Of course, none of his projects ever went anywhere, and if they did, they were quickly abandoned.

    PARC engineers were men of action. Each concentrated on a particular aspect, and they’ve built working models of many things that we enjoy today: personal computer with GUI interfaces, Ethernet, WYSIWYG text editor, laser printer, and even a computer animation system amongst other things. Sadly, Xerox was able to capitalize mostly on the laser printer, which actually probably paid for all of PARC’s expenses. PARC indirectly influenced Apple and Microsoft in the development of GUI OS. Also Charles Simonyi left PARC to develop Word and Excel for Microsoft, thus creating an enormous amount of wealth. Bob Metcalfe and David Boggs also left PARC, took Ethernet and turned it into 3COM. John Warnock and Charles Geschke left PARC, took PostScript and created a little company called Adobe Systems. Well, you get the picture.

    To give you another analogy, the technological revolution of the 60s, 70s and 80s was like a hydrogen bomb. A hydrogen bomb is made of three bombs: a conventional explosive that ignites a fission explosive that in turn ignites a fusion explosion. Semiconductor industry created by William Shockley and the Traitorous Eight was the fuel, Bush and Company–the conventional explosion, PARC–fission, what came after–fusion. KABOOM!