De gustibus non est disputandum

In the former Soviet Union, cognac was the expensive booze of choice, while whiskey was relatively unknown. Technically, you can only call cognac the brandy from Cognac in France, but the Soviets did not care much about that, already abusing Appellation d’Origine Contrôlée with Soviet Champagne.

In any case, high end Armenian brandy was considered the ultimate drink. Armenians were one of the first to invent the alcohol distilling technology, and Armenian brandy, by the way was the very same drink that Odysseus used to knock out the Cyclops.

The reason I remembered all this, is because two news articles reminded me of a Russian saying: to a pessimist cognac smells like bedbugs, to an optimist – bedbugs smell like cognac. Good cognac has a rather peculiar smell, and some say that it smells exactly like squashed bedbugs. Although I smelled cognac often enough, I’ve never smelled squashed bedbugs. Thus I can’t really say if the saying is true, or just an artifact of crappy Soviet cognac.

Consider the contrasts:

In Zimbabwe people are eating rats:

“Twelve-year-old Beatrice returns from the fields with small animals she’s caught for dinner.

Her mother, Elizabeth, prepares the meat and cooks it on a grill made of three stones supporting a wood fire. It’s just enough food, she says, to feed her starving family of six.

Tonight, they dine on rats.

“Look what we’ve been reduced to eating?” she said. “How can my children eat rats in a country that used to export food? This is a tragedy.””

Zimbabwe’s ambassador to United States, Machivenyika Mapuranga, told CNN on Tuesday that reports of people eating rats unfairly represented the situation, adding that at times while he grew up his family ate rodents.

“The eating of the field mice — Zimbabweans do that. It is a delicacy,” he said. “It is misleading to portray the eating of field mice as an act of desperation. It is not.” “

It’s hard to be optimistic about rat eating, but I guess it’s not as difficult for Mr. Mapuranga.

On the other hand, it’s probably pretty hard to be pessimistic about gourmet food served in some Manhattan soup kitchens:

“The multicourse lunch that Michael Ennes cooked in the basement of Broadway Presbyterian Church last week started with a light soup of savoy and napa cabbages. The endive salad was dressed with basil vinaigrette. For the main course, Mr. Ennes simmered New Jersey bison in wine and stock flavored with fennel and thickened with olive oil roux.

But some diners thought the bison was a little tough, and the menu discordant.

“He’s good, but sometimes I think the experimentation gets in the way of good taste,” said Jose Terrero, 54. Last year, Mr. Terrero made a series of what he called inappropriate financial decisions, including not paying his rent. He now sleeps at a shelter. He has eaten at several New York City soup kitchens, and highly recommends Mr. Ennes’s food.”

The gourmet soup kitchen chef is an optimist though:

“Despite the care he puts into his cooking, he doesn’t mind a little criticism.

“They’re still customers, whether they’re paying $100 a plate or nothing,” Mr. Ennes said. “One thing we do here is listen to people and let them complain. Where else can a homeless person get someone to listen to them?” “

I grew up with the Soviet media feeding me horror stories about life in America, and I know that indeed, looking at the world through the eyes of reporters is “looking through a glass darkly“. I trust the CNN reporter over the Zimbabwian politician because the latter has a much keener interest in misrepresenting the reality. But on the other hand, the efforts of the New York Times reporter to find the several homeless critiquing the free gourmet cuisine seem a little artificial. I bet 99% of them were rather grateful for tasty meals. But then, I don’t doubt that the New York City homeless can be rather picky — I’ve seen some refusing and even throwing offered food at the would be Good Samaritans.

Rose of Jericho

Once again I spent a good chunk of Saturday in the Brooklyn Botanic Garden with my wife and daughter. As usual, I left some money in the gift shop. That store often makes me regret buying an apartment and not a house. Instead of a microscopic Brooklyn backyard I only have a couple of not very sunny windowsills. Still, I can’t resist buying an plant or two. Some die quickly, some — after a long battle with unfavorable conditions, and some thrive despite all odds. The palm did not survive, for instance, but the pineapple sent up a second shoot and is feelin’ fine.

This time though, I bough a plant that isn’t afraid of the browniest thumb in existence. For the princely sum of $2.95 I bought a baggie containing the Rose of Jericho of which I’ve heard so much ThinkGeek charges 7.99 for one.

As advertised, the dried out plant unfurls and turns green in about 24 hours.

Now, there’s a plant that is chock-full-o-symbolism. Religious, blog-related, etc.

While it might be the perfect plant for a chronic cubicle dweller, it’s probably a good idea not to keep it in a bowl of water, as it might start growing smelly algae and other nasty stuff. I transplanted it into a pot of soil, and it looks like now I have a plant that is next to impossible to kill. The Superman of plants. Or something like that.

To commemorate the occasion I made this blurry, yet somewhat interesting movie with my webcam. I always wanted to make one of these stop motion dealies and to check out google video interface. Here it is, in its full blur-o-vision glory.

Canon vs. Nikon

I often get asked for advice on what digital camera to buy. I’d estimate that I was asked that at least a dozen times in the last couple of years. I’ve been asked by co-workers, friends, family.

I usually explain things this way: there are two classes of cameras — SLR and what used to be called “rangefinder“. SLRs range from bulky and heavy to galaxy sized black hole; from very expensive to small-Manhattan-studio-apartment-down-payment expensive. Rangefinders range from 007-spy-camera-sized to brick-sized; from very cheap to pretty damn expensive. The image quality on both types ranges from crappy to very good.

SLRs have one huge advantage: they look professional. And expensive. Two advantages. Well, actually while we are at it, there is a third advantage, and the only one that matters. Some SLRs come as a part of a camera system. A camera system is a collection of accessories that your camera can take. It includes lenses, flashes, extension rings, adapters, and other various obscure doodads like focusing screens and right angle viewfinders. Repeat with me – it’s not the camera body and the lens it comes with. It’s the System that matters.

When you are buying a non-system camera, you have to make a one piece investment as you won’t be able to upgrade it later. With system SLRs, your investment in lenses, flashes and other accessories is separate and much longer lasting than investment in the body of the camera. More than that, you’ll have a choice of several camera bodies at different price points. But the main thing is, you can have a lens and accessory collection and it will stay with you for many years.

In the olden days there were popular rangefinder systems and even TLR systems. Not anymore. But the main reason for rangefinder popularity still remains: they are smaller and easier to use than SLRs. A picture taken with a well-made rangefinder will be almost indistinguishable from that taken with a well-made SLR with a normal range lens (that is, not a macro or telephoto or something even more exotic). Rangefinders add something to photography that no SLR can add – spontaneity. To be able to whip a camera out of your shirt pocket and take a picture is priceless. 70% of photographic opportunities disappear in the time that it takes to take an SLR out of the bag.

I often try to steer people into buying a nice rangefinder because I know that they’ll take it with them more, take more pictures and enjoy it more. A camera that wants to stay at home is not of much use, unless, of course, like me, you are Ok with dragging a heavy bag with you everywhere.

If it’s the SLR that they want, I explain the choice even simpler. You have to buy into a major camera system, which these days means Canon or Nikon. Once you buy your camera and lenses, you are pretty much stuck with the system, unless you never buy any expensive lenses.

Canon and Nikon systems are pretty equivalent in quality and variety. They are both awesome. Generally Nikon stuff is heavier and sturdier, and also more expensive. Just about anybody finds that appealing. I find the relative heaviness a huge drawback. Picture quality at slow shutter speed is mainly limited by three factors: sensor quality, lens quality and camera shake. So, if you are not using a tripod for every shot, a heavy, although sturdy camera is a huge drawback – it will make your hands shake a lot more than a lighter one. For these two reasons I am, and always was a fan of Canon.

Most of the people I ever advised on purchasing a camera bought Nikons though. More than that, most of my friends and co-workers are Nikon owners already. As a rule of thumb, prosumers that I know like Nikons. In general, among professionals and amateurs, Canon and Nikon are represented equally, as far as I can tell.

I do have one observation that might raise a lot of controversy. I find, in my empirical observations, that Canon owners take and share way more pictures than Nikon owners. Nikons are usually found stashed away at home, while Canons are out there in the world, taking pictures. Since 2000, I took about 25K photos, and a I guess I am a typical Canon user. So is Travis Ruse, one of my favorite photobloggers. So is Tema Lebedev, my favorite travel blogger. What about you, Nikonophiles? Where are your pictures?

Philip Greenspun has a nice technical Canon vs Nikon comparison, as well as a good description of the Canon system, and one of Nikon.

I’ve added a camera-related poll.

Sutyagin’s Moving Castle or Ruskyscraper

Slowly but steadily making my way through all of the Studio Ghibli films, I recently watched Howl’s Moving Castle. It made me remember the wooden skyscraper in Archangelsk I wrote about before.

Apparently the skyscraper is still standing, although it looks like it has deteriorated significantly. I cleaned removed the old broken links from my old article about it and got permission from Nikolai Gernet aka nixette to use one of his photos. Archangelsk has a rich history of wooden architecture and nixette has more photos here and here as well as many other interesting pictures from Archangelsk and of Sutiagin’s wooden skyscraper in particular.

It’s interesting to note that both Russia and Japan have a rich tradition of wooden architecture.

Sutiagin's Wooden SkyscraperHowl's Moving Castle

While looking for info about this, I found another gem: the conceptual design called Ruskyscraper by Eugene Staune who works for Arhitekturium architectural firm. It’s supposed to have 25 stories of 10.8ft each made primarily out of wood and glass. The articles describe it as economical, but I really doubt that– if there’s anything that I’ve learned from watching The New Yankee Workshop, wood can be very expensive. This project would probably use laminated engineered lumber, so I guess it could be doable.

The floor plan seems to be rather wasteful, but hey, this is a concept design, not something that is probably going to be built.

Four Generations

Digging in old photos I found three pictures of my father, grandfather and great-grandfather, all wearing military or military-style clothing. I took a picture of myself in my favorite NYPD-style jacket and created this list of four generations of my family. Notice the three repeating familiy names (reflected in first names and patronymics)– Mihail/Michael, Yakov/Jack, and Zinoviy/Zalman.

Lost Generation:
Zalman Mihailovich Krakovskiy, my great-grandfather, civilian, in his late forties.

Greatest Generation:
Yakov Zalmanovich Krakovskiy, my grandfather, Senior Sergeant, Red Army, in his thirties. The picture seems to be taken in front of some crates of Lend-Lease equipment in 1943.

Baby Boom Generation:
Zinoviy Yakovlevich Krakovskiy, my father, Lieutenant, Soviet Army, in his late twenties.

Generation X:
Michael Zinovievich Krakovskiy, myself, civilian, almost 30.

Bear Waltz

I never received any musical instruction. My mother always believed that I did not have any musical talents. In fact, she used a Russian saying “медведь на ухо наступил” (“a bear stepped on one’s ear”) to describe my musical aptitude. When I was little, I assumed the bear story to be literally true.

When I became a little older, I realized how lucky I was–many of my friends had to spend many, many hours studying music, and every one of them hated it. Those who studied music further, hated their lessons even more. I had one friend, for instance who used solfeggio as a curse word.

To this day I do not regret not getting a musical education: I feel that all that reading, fishing and playing that I’ve done instead of music lessons was a better use of my time. Besides, I think my mother wasn’t very much off in evaluation of my musical ability.

Having married into a musical family (my mother-in-law is a piano teacher and father-in-law is a senior tuner at Steinway and Sons), I have more music thrust in my life than I ever thought possible. My wife, an amateur organist, took up almost half of the living room space with an organ and a harpsichord. The mother-in-law and her take turns in bringing my baby daughter, whose entire vocabulary is limited to “papa”, “mama”, “baba”, and “kaka”, to the harpsichord keyboard and letting her hit the keys. My father in law has absolute pitch, but at this point it’s unclear if little Natalie inherited it or my own “bear-stepped-on” ears.

While a harpsichords and an organs are hardly common instruments, I bet every one of you has encountered a well-abused piano situated in a classroom. Invariably, some kid pulls up a chair and starts playing a simple melody. In the United States it’s usually a Chopsticks, in Russia–Dog’s Waltz.

It turns out that Chopsticks is actually called The Celebrated Chop Waltz and it’s composer is known. Dog’s Waltz’s, composer, on the other hand is unknown, but the tune has a wider international influence (also, musically, it’s a more interesting piece than Chopsticks).

Dog’s Waltz, as I learned from the Wikipedia article, is one of those things that has different names in different cultures. There are many examples of this: Russian roulette is known as American roulette in Russia, Mk 2 grenade is known as “pineapple grenade” in the US, but was called “lemon grenade” in Russian, cocks being called roosters in the US (for understandable reasons) and so forth.

The cultures don’t agree in what the said roosters sound like, with versions ranging from “cock-a-doodle-doo” to “goh-geh-goh-goh” to “chic-chi-ri-chi” and so forth. Cat sounds vary from culture to culture as well, and so do dog sounds.

In the similar manner, Dog’s Waltz has a multitude of names in different cultures, ranging from Cat March to Flea Waltz, Donkey March, Fools’ Polka, and The Little Monkeys. The Japanese, take the prize by calling it Neko Funjatta–I Stepped on the Cat. Interestingly enough, this tune is relatively unknown in the US.