Month: July 2003

  • Psyops, The Non-Virtual Popunder and Stuff

    You know those little subscription cards that fall out of magazines? They annoy the hell out of everybody. And apparently that’s why they are one of the most expensive and efficient advertising options in the print world. Same as a pop under ads online. You see, the reason they are put in magazines you already have a subscription for is the fact that they are very likely to fall out on a train, in a doctor’s waiting room, at the office or wherever good times are had. Kind of like psyop planes dropping leaflets on the enemy positions.

    But here’s the interesting part. The damned cards have a name. They are called “blow-in cards”. They are named so because apparently they are placed into magazines by puffs of compressed air. They have even more annoying comrades – the bind-in cards that are as it’s clear from the name bound together with magazine pages. The thicker bind-in cards are kind of like permanent bookmarks making it hard to find any pages with actual information on them. I often go through a magazine ripping those out before reading.

    Another interesting thing about blow-in technology is the way they make the card stay in place during the binding process. Most blow-in machines (how’s that for a profession – blow-in machine operator?) use static tacking. A special device creates a charge on the card and on the page so that they’ll stick. O’reilly books have this special binding that doesn’t work too well with regular blow-in machines, so people were complaining about blow-in cards that unintentionally became bind-ins. An interesting engineering solution followed:

    With the old system, the cards were hit with a static charge to keep them in place as the cards moved through the binding machine. Sometimes, the card would lose the charge before getting all the way though. This new machine uses a miniscule bit of glycerin that holds the card in place longer and then fully disappears.

    By the way, I have a whole collection of those O’reilly blow-in cards on the wall of my cubicle because they have those cool colophons with animals on them. I think Wrox books should have used baseball cards of developers for that purpose. With hilarious stats. That’s not a bad idea actually. Maybe they would have been better off if they had my marketing genius on their side. Still, with the money they saved on photographer’s services I am surprised that they went belly up.

    In Linebarger’s “Psychological Warfare” I’ve read about sets of leaflets used by the Allies during WWII that had numbers on them. German kids collected those as stamps because of that (any collector will understand a desire to have the complete series). Those leaflets turned out to be extremely efficient because many adult Germans with collector kids had a full set in their house where they could safely study them.

    This real world pop under kind of reminded me of banners that are being referred to as “Godzilla”, “gonzo” and “skyscraper” banners and popups. Some even have flash movies with this technology.

  • Up up and Away!


    View of Worldwide Plaza building. I really like seeing David’s Diamond from that subway staircase.

  • Now I Know Where Sinner Programmers Go When They Die

    writing in smashing :

    ~ You are searched thoroughly at the end of every shift. You can’t put your coat on until you’re outside the store, and a manager has to search it first. Once outside, you’re patted down and may be asked to remove your shoes to make sure you’re not hiding any jewelry.

    ~ Being “friends” with anyone you work with is frowned upon, …

    ~ Any shopping bags/personal belongings/reading material/clothes discovered by the district manager will be thrown out immediately.
    ~ No “ethnic food” may be eaten on your break because it makes the store smell bad. You may only eat food that does not smell like anything.
    ~ No one with piercings or tattoos may be hired.
    ~ Avoid hiring anyone who is “aesthetically unpleasant” (e.g. ugly, fat, deformed, etc.) because they don’t “project the appropriate image”

  • BSOD Rules The Night

    Such a lyrical BSOD. Don’t you think it’s moronic to put terminals facing big glass street facing windows in a financial institution? I also like the message on the marquee display.

  • Moon Over The Paramount


    The skyscraper with the globe on top is called the Paramount Building. The building has a mountain like shape and the little stars on the illuminated clock face look like the stars on Paramount Pictures logo:

    That building used to have a kick ass movie theater on the ground floor, the kind described in my favorite sci-fi story of all time, Henry Kuttner’s “The Proud Robot”. Now it houses WWF store and NY Times offices. WWF undertook an amazingly complex project of rebuilding the original theater marquee:

    Working with the New York City Landmark Commission was a prolonged challenge in replicating the historic sign. Purists on the Landmark Commissions often push for exact replications ­ right down to the materials involved. But Tobin & Parnes had ideas for bringing the epic sign into the 21st century using new materials and technologies.
    The commission initially rejected the idea to use LED technology in 1996, but later approved the concept as more signs in the surrounding area started incorporating LEDs. “


    Multimedia Signage Inc. in California manufactured the signage that boasts the highest resolution ever achieved. The LED pixels and cells have a .45 pitch. The highest resolution before this sign was created was .75 pitch.

    In order to get TV quality resolution on these screens we needed to go with that .45 pitch, otherwise the resolution would only give you a clear image of someone from their shoulders to the top of their head,�? said Ms. Dibner. “Using the .45 pitch we can get almost the whole person in there.�?

    But how do you use technology without distracting from the historical detail of the sign? It was something that many were not sure could be achieved using LED technology because the sign curved up and down. But the Landmark Commission demanded that the sign’s original curvature be replicated.

    The solution: using very small diodes and arranging them to match the curve. The result: any image on the sign curves with the curvature of the marquee with no distortion, another requirement of the Landmark Commission.

    I just love the topic of new technology meeting the old. But Landmark Commission people are nasty engineer hating snobs.

  • Nautical Nonsense

    This ad for a new jellyfish exhibit at Brooklyn Aquarium was on the side of a bus (and the bus was moving when I took the picture). I guess the blurb applies not only to jellyfish, but also to the graphic designer who masterfully placed the Pepsi logo in that corner.

  • I Like Small Keyboards and I Can Not Lie You Other Brothers Can’t Deny

    The perfect keyboard. A geek’s holy grail. And I am not immune to the siren’s call of this insane quest.

    If you think that there isn’t much innovation in the field of alphanumeric input devices, you are in for a surprise. If you don’t think so, then you’ll be less surprised.

    There are four main schools of keyboarding thought:

    1) Typewriter keyboards suck , if you are really hardcore, you should use chord keysets. A chord keyset is basically a keyboard that uses combinations of buttons (like chords on a piano) to encode letters and numbers. Since fingers don’t have to travel horizontally and vertically, tremendous typing speed can be achieved. Chorded keyset is somewhat similar, but not the same as a stenotype machine used by court stenographers. According to The Straight Dope stenotype training takes 2,700 class hours (some of the classes probably have to do with understanding law terminology and the like) and you have to type 225 words per minute at 95% – 98% accuracy to pass the state exam.

    Douglas Engelbart had really high hopes for his version of the keyset. Much of his research as well as The Mother Of All Demos included a setup that had a keyboard, a mouse and one handed keyset.


    A historic moment: Engelbart uses his chord keyset to delete the first Spam.

    Closeup of a keyset, or Small Black Hit’em Bugger Teeth as it’s known in Pigin English

    The problem with chorded keyboards is the super steep learning curve and what’s even worse, the skill of typing in chords seems to quickly deteriorate without practice.

    2) Then there are those who think that the root of evil is the QUERTY layout. I am yet to see a person who regularly uses Dvorak keyboard, and the whole superiority of it seems to be just a myth.

    3) In the olden times there was the horror of The Space Cadet Keyboard. There were a few other devices that LISP programming aliens seemed to use. Truly bizarre geekery.

    4) On the other end of the spectrum of weird keyboards are ultra expensive contraptions. Even though outrageous prices are binding this group together, the usefulness, good looks and coolness factors are all over the board for these. You have to be one rich (or fiscally irresponsible) geek to afford them. There are keyboards that are split in two, like this Kinesis keyboard that mounts on armrests. has one and likes it.

    Then there is a truly scary keyboard from the same maker that has bowl shaped indentations for keys:

    This $350 keyboard has vertical set keys. I think I saw somebody’s review of it which stated that using it hurts. A lot. And I think I believe that person.

    Fingerworks this $339 keyboard that has gesture recognition. Apparently uses one right now. The learning curve seems to a bit steep according to his post.

    I think that all of these far out solutions are a bit too much. Split keyboards are kind of nice though. That Kinesis keyboard is 133T, but I did fine with Natural Keyboard Elite.

    I also had Microsoft Natural Keyboard Pro which was discontinued (I think) is just like Elite, but with a row of buttons on top. Out of those buttons the volume control was very useful. In fact, the perfect keyboard in my opinion should have a set of buttons for volume control. I might get a Griffen Powermate for that purpose though. But at $45 it’s pricey. But cool. The rest of the soft buttons were mostly useless.

    I wish I could map a button to a key combination that switches between keyboard layouts (Cyrillic and English), but that wasn’t possible with out of the box functionality. Some of the soft buttons are outright dangerous, like the crappy “sleep” button. If pressed by accident it would plunge all of your unsaved data into the buggy realm of Windows power management, the cursed ACPI.

    Before then I experimented with a “clicky” keyboard. I purchased an IBM model 42H1292 aka The One True Keyboard. These Irish built mastodons capable of various feats of endurance have special spring loaded keys instead of wussy rubber membrane ones. Manly. Very manly. A click of The One True Keyboard can be heard for miles in an empty cubicle farm. But also a pain in the ass. Turned out I don’t like the clicky sound, the keys were getting stuck sometimes (even though I bought an unused, keyboard gravy free one).

    Right now I am thinking of switching to a mini keyboard, like the Happy Hacking Keyboard. Right now I am typing this on a mini keyboard that my friend Dan lent me. It’s called MiniTouch. I has those IBM style clicky keys and a layout that with a little remapping could really work for me. Does anybody know a good Windows keyboard rempapper? The layout feature that I use the most is a function key that turns arrow keys into page up/down/home/end. Oh, and one thing that I do with all keyboards is turn off (by ripping out) the caps lock key. That thing is pure evil.